a walk-in landscape where mass-produced, found, and handmade objects act as relics and collaborators.
a stage set, a museum, an altar, it lures with bright, child-like aesthetics only to reveal dissonance. innocence meets spirituality, personal narratives meet broader themes of consumerism and oppression.
it interrogates the fictions and power dynamics we inherit, exploring how objects exert agency – as relics and collaborators – in rituals and collective mythologies. objects here act as markers of memory and connection, tying humans and non-human worlds.
the work draws from folk art, animist spirituality, televised spectacle, and materialist critique, reframing the ordinary and the overlooked as active participants. it is a silent protest, a manifesto against the destructive gaze that transforms others into objects of satisfaction.
